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The trick in the magic trick

"Why doesn't the illusionist reveal his secrets? Most twentieth-century books on the performance of magic tricks suggest that he does so for the benefit of laymen. Readers who couldn't identify with these laymen missed a time when wonder was possible: childhood. They resigned themselves to the situation, but the desire came over them to let others live through the experience described to them. And, just as there are people who would never have fallen in love without having heard of love, there are illusionists who would never have performed tricks without having believed that lay people existed. Some have even gone so far as to claim that a trick only makes sense in the presence of an audience unaware of its secret.

The lame magician places his own experience at the center of his practice, allowing the primary recipient of the magic trick not to be a layman. What, then, of the revelation of the secret? Among the illusionists who have practiced it, or who have emphasized the search for the trick, many have shared their secrets with people they assumed to be profane. They gave rise to vocations, they lost the assent of spectators refusing to enter their game. But not all initiators claimed to address spectators unfamiliar with their art. Jacques Delord laid the foundations for a practice that did not consist in deceiving the senses of others, but in enchanting oneself and trying to share an experience lived in the present.

By following such a path, we'll be able to dream of a world in which, if the illusionist reveals or doesn't reveal his secrets, it's not because he presupposes that his spectators are laymen who should, or shouldn't, remain so, but because he refuses to prejudge their knowledge, because he refuses to start from the principle that they would correspond to those so magnificently given to imagine by so many theoretical texts of the last century."


The publisher would like to draw the reader's attention to the fact that this book is not intended for magicians wishing to learn turnkey tricks, but rather for those seeking to study the theory behind them in order to better practice them. The explanations given are intended more to provoke thought than to provide a real explanation of the magic trick.

 

Edition of 100 copies, with laid paper cover

Weight 0.223 kg
Dimensions 16 × 1 × 24 cm
Author

Guillaume Pavot

Page layout

Guillaume Pavot

Publisher

The Cabinet of Illusions

Release date

June 2021

Number of pages

102 pages

Binding

Glued square-back binding with laid paper cover

Drawing

100 copies

Language

French

Contents

I - Trials

1. The magician

  • The lame magician
  • The storytelling magician
  • The juggling magician

2. Your own ethnological approach

3. Land of Oz

  • Disillusion
  • Initiation
  • Waiver

A Hopeless Jumble

4. The trick and the secret

  • The thing
  • Automatic lathes
  • Remountable illusions
  • The ladder of secrecy
  • Three examples
    • Out of This World
    • The transmission of thought
    • L'envol

 

5. Two readings

  • Philosophical dialogue
  • Necessity
  • Harmonie

Over the Rainbow

6. Theory

  • Mnemosyne's staircase
  • Systematic constructions
    • False trail method
    • Contrapuntal method

7. Practice

  • The puppet
  • Disappearance of a part
  • Appearance of the single egg
  • Canonical disappearance

8. Introduction to prestidigitation

  • The first magic trick
  • Crossing the table
  • Makeshift necklaces

II - Testing

  • ACAAN and other towers
    • ACAAN
    • Numerical prediction
    • ACAAN in three stages
    • Coup de Jarnac
    • Sam the Oulipian Bellhop

 

  • Nets and butterflies
    • Illusions regained
    • Marguerite
    • Abyss
    • Whispers
    • Chewing paste

 

  • Three little turns
    • Sympathy
    • One glass too many
    • Sisypherie

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